Josef Albers
A Pioneering Artist and Teacher
We begin in the early 20th Century Germany, with one of Modern Art's most influential figures: Josef Albers. Albers enrolled in The Bauhaus in 1920 and then became a faculty member just two years later. As a pioneering art institution, The Bauhaus was philosophically rooted in the connection between socialism and mechanical innovation. The Founder, Walter Gropius, sought to create a school where pupils were encouraged to create the material conditions from which a utopian society could blossom – with functionality and aesthetic beauty existing together in harmony. The work produced in the school often embraced a clarified and minimal use of line and geometric forms.
However, following the rise of fascism in Germany, in 1933, Josef and his wife Anni Albers emigrated to the United States. Albers taught at Black Mountain College and then Yale, taking the radical modernist philosophies with him and inspiring the next generation of young American artists. It was in America, during the 1950s, that Albers began his magnum opus: the Homage to the Square series. He worked for the next 25 years and produced hundreds of paintings composed of nested squares, testing the effects of different compositions and colour relationships. It marked a new—daringly minimal—frontier of Modern art. Through this disciplined practice, Albers laid the groundwork for generations of minimalist and conceptual artists who followed in America and Europe.