Roosters, fiddlers, trees and floating lovers are just a few of the recurring motifs that occupied Chagall. Through his use of glorious colour, he would masterfully pull together otherwise disparate images. His flora, fauna and colourful characters always culminated in kaleidoscopic dreamscapes that drew upon folkloric imagery and his Jewish identity.
His compositions were so celestial, and his imagination was so often regarded as supernatural, that many likened him to an angel. His wife Bella, one of the artist’s most important muses, said that his eyes were so piercingly blue that he must have come from heaven. Picasso, Chagall’s one-time friend and full-time rival, once declared that Chagall’s imagery was so inventive that he “must have an angel in his head”.
Amongst his most divine works were his prints. Charles Sorlier, a master printmaker at Atelier Mourlot and Chagall’s close friend, lauded his printmaking talent by describing how “it [seemed] as if an angel [had] entered the workshop” whenever Chagall embarked on a new project.