Pablo Picasso
Picasso’s final years were spent in a creative frenzy. In 1969 a large delivery of art materials arrived at his Mougins studio and became fuel for his next furious cycle of production. He was not content to use the new inks, paints, and brushes alone. Everything – from the hairy string and thick paper wrapping of each parcel to the corrugated cardboard boxes in which they had arrived – suggested a potential surface for experimentation, and he quickly set to work painting a series of twenty-nine imaginary portraits.
Produced in oils and gouache applied directly to the unprepared boxes and paper sheets, these whimsical portraits feature the moustachioed musketeers that dominate his final works, alongside depictions of Balzac, Shakespeare, and aggressively abstracted female faces.
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